Caroline FoleyReview: Oneohtrix Point Never’s ‘Magic Oneohtrix Point Never’Typing and deleting opening lines for an album I have been left too emotionally affected by to verbally depict is likely what the…Oct 30, 20201Oct 30, 20201
Caroline FoleyAI Music and My Existential CrisisI have no deep philosophy or close analysis to make of OpenAI Jukebox, as much as I have something in between to say that I’m deciding not…May 2, 2020May 2, 2020
Caroline FoleyAll The 2010s Are Dead NowI can’t pen it down correctly, and I cannot think about it without feeling nervous. I’ve written a couple of things down over the past few…Dec 19, 2019Dec 19, 2019
Caroline FoleyEndcollage BrigameNor do all the facets bear images. Some are dusty, some cracked; some are filled with senseless images of insects, or else with a vague…Feb 3, 2019Feb 3, 2019
Caroline FoleyReview: How To Dress Well’s ‘The Anteroom’This is it; the Big One. It’s stumped me on how to even start this review. In recent memory I’ve coped by listening to How to Dress Well’s…Oct 18, 2018Oct 18, 2018
Caroline FoleyReview: Yves Tumor’s ‘Safe in the Hands of Love’Breakout! Although Yves Tumor’s Serpent Music has been a modern classic in my eyes for some time, Safe in the Hands of Love has further…Sep 6, 2018Sep 6, 2018
Caroline FoleyReview: How To Dress Well’s ‘Land of the Overflowing Urn’Tom Krell is back in a way I’m glad to have witnessed unexpectedly. Despite how I’ve kept up with his Spotify and Twitter (from the former…Jul 4, 2018Jul 4, 2018
Caroline FoleyReview: Oneohtrix Point Never’s ‘Age Of’I ate the forbidden fruit by listening to the leak. Thinking about leaks induces some dread in me. What if I’ve pissed off my idol by not…May 29, 2018May 29, 2018
